When was the island by athol fugard published
The actors wear baseball caps pulled low - Kani is a Yankees fan - and their reclining postures in hard-backed chairs suggest that the jet lag from the previous day's transatlantic and trans-hemispheric flight is far from over. Yet here the actors are, sitting in the Eisenhower Theater's green room as slender young dancers from the Washington Ballet glide through. Kani adds, "We thought the play was quite specifically about South Africa, about Robben Island, about those men who were incarcerated in those prisons." Says Ntshona of the drama and their ambitions for it, "It was not cooked up as a product for export." One way that the two characters of "The Island" maintain a bit of morale is by rehearsing a prison production of "Antigone." With its story of a woman who buries her brother in defiance of the state's irrational edict, the play-within-the-play is an unmistakable critique of the tyrannical laws that put men in Robben Island. Kani, Ntshona and Fugard were trying to create a play about men who had been locked up as political prisoners on Robben Island, where Nelson Mandela was being held. This kind of success was the furthest thing from the creators' minds back in 1973.
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This comes on the heels of appearances at Peter Brook's Bouffes du Nord in Paris, plus stints in Stockholm, London (twice already) and Toronto. The show begins a four-week run Tuesday at the Kennedy Center's Eisenhower Theater and will open on London's West End in January. History repeats - or, as Ntshona lyrically puts it, the unforced course of events suggests "how honest the rhythm of life is, really." "The Island" is currently enjoying a second round of international acclaim, with Kani, 58, and Ntshona ("I'm next door to 60") revisiting their turns as characters named after them (John and Winston).
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tour (including a stop at Arena Stage) and made Broadway history when Kani and Ntshona shared the 1975 Tony Award for best actor. The two-man production, which then included another one-act political play, "Sizwe Bansi Is Dead," had a three-city U.S.
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No sooner was "The Island" performed in South Africa than a British producer saw it and brought it to London. Case in point: "The Island," the 1973 South African prison drama written by white playwright Athol Fugard in collaboration with black actors John Kani and Winston Ntshona. But political art often transcends boundaries with ease.